Zena E’s The Writery for Freeing Writers

The Writery for Freeing Writers For the past year or so I have been collating tips, techniques and quirky writing prompts to help stay inspired for my writing. When I think about what it means to be a free writer I refer to the writing exercise of free flow, some quality free association –. Imagination…

Legacy – Step One in Being a Freelance Artist

“Legacy” – Writing to make footprints that won’t blow away on the wind This goes without saying when it comes to the arts. I have been involved in youth arts (via writing and performance mainly) since 2000 and its youthful voices that re-imagine our worlds, the physical and emotional world, the fighting and resting world,…

Verbalisation with BeatFreeks at BRep

Birmingham with Beatfreeks on Wednesday 27th July. “How do you find your inspiration for your work?” is the most frequently asked question I get as a writer who performs her work. I can’t deny I am often stumped at the question. I trawl my brain for the one thing  but it just doesn’t work like…

Ekphrasis in Action – Seeing the Word.

Looking forward to running this session in a couple of weeks! Engaging with art should be sensory experience, especially when an image is politically loaded. When we see politically charged images we often get lost in abstract ideas of justice, inequality or discrimination.  To be able to transfer a visual image loaded with cultural specificity,…

Power Plant: WPD Relationship @ MAC Birmingham

When Apples and Snakes Poetry Organisation invited me to run a masterclass session of the writer/performer relationship, I was excited about flexing this muscle again after some time. What was meant to be a two hour sesssion turned in to four hour of exchange. Directors gained a deeper insight on how to listen to the…

WPD- Security and the Writer/Performer and Director relationship.

As a poet who is used to standing behind a mic, manipulating my voice and being a little physically  animated, I took the plunge to  write a full length one woman show. The difference between the focus needed for a 10-20 minute set at a spoken word night and  an hour and ten minute  theatre…

South Africa – Cultures Worth Fighting For

Today, I want to write about the South Africa I love. Not about Malema and Zuma, the travesty of the ANC legacy post-Apartheid or the shocking images of Platinum Miners in South Africa mown down by security forces (warning: graphic video) last week. I want to write about the South Africa that has so much…

Travelling Light Goes to Canada

At present  I am sitting in a hotel room in downtown Winnipeg unable to sleep because of jet lag. Its 2.16am Canada time, 8.16am London time. I am here because of FEMFEST – a festival of women playwrights and performers who battle hard to get their work produced because it is a very  masculine dominated…

Writing for England – a Young Black British perspective

Last month I was privileged to work wth Talawa theatre company on a new Young Peoples Theatre production called “I am England” directed by  Nazli Tabatabai-Khatambakhsh. My role was to engage the `Young People (or YPs) with writing, with the narrative of a new young and black british government being elected when the country finds…