HCCT:Rmx – Human Code Computer Tongue: Remix

Human Code Computer Tongue (HCCT) took a second run around the conversation of Artificial Intelligence and Creativity. In February 2017, a collective of poets and tech heads came together for HCCT  to explore what the future of AI in creative spaces means for humanity. An open call-out to linguistic code developers and poetic creative writers…

Legacy – Step One in Being a Freelance Artist

“Legacy” – Writing to make footprints that won’t blow away on the wind This goes without saying when it comes to the arts. I have been involved in youth arts (via writing and performance mainly) since 2000 and its youthful voices that re-imagine our worlds, the physical and emotional world, the fighting and resting world,…

Verbalisation with BeatFreeks at BRep

Birmingham with Beatfreeks on Wednesday 27th July. “How do you find your inspiration for your work?” is the most frequently asked question I get as a writer who performs her work. I can’t deny I am often stumped at the question. I trawl my brain for the one thing  but it just doesn’t work like…

Ekphrasis in Action – Seeing the Word.

Looking forward to running this session in a couple of weeks! Engaging with art should be sensory experience, especially when an image is politically loaded. When we see politically charged images we often get lost in abstract ideas of justice, inequality or discrimination.  To be able to transfer a visual image loaded with cultural specificity,…

Ekphrasis in Action – An Out-Spoken Masterclass

I have been attempting to vocationally reconcile my love for photography and painting, sketches and imagery with my love of poetic writing and and would be more fitting than to run a masterclass on Ekprhrasis. I’m also in the headspace that art has work to do and I want to see incorporate politically charged with…

Power Plant: WPD Relationship @ MAC Birmingham

When Apples and Snakes Poetry Organisation invited me to run a masterclass session of the writer/performer relationship, I was excited about flexing this muscle again after some time. What was meant to be a two hour sesssion turned in to four hour of exchange. Directors gained a deeper insight on how to listen to the…

WPD- Security and the Writer/Performer and Director relationship.

As a poet who is used to standing behind a mic, manipulating my voice and being a little physically  animated, I took the plunge to  write a full length one woman show. The difference between the focus needed for a 10-20 minute set at a spoken word night and  an hour and ten minute  theatre…