FEMFEST – a Festival for Women Playwrights – an interview with Hope McIntyre of Sarasvati Productions

“FemFest was developed in response to my hearing from women playwrights that they were having trouble getting their work produced. It was clear that by not getting productions it was then harder to get more productions. We established FemFest to break this cycle and in hopes that by showcasing the work of women playwrights, more of their work would be picked up by other companies. We also set up FemFest to allow for a networking opportunity for these women. Having a place to come and share work, learn from other artists and just talk about being a playwright seemed invaluable at the time and
continues to be important. In the long-term we’d love to get to the point where women are being produced so much that we don’t need a festival to showcase them. We are working towards a day when FemFest is unnecessary, but we know that is a very long-term goal. For our immediate future our hope is to continue to find ways to offer women artists what they need most. We don’t plan to grow any larger but do plan to continue to explore new
initiatives to work with the community.”

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What Hope had to say – A review of my Artist-in-Residency for the FemFest, Canada, 2011

Here are a few words from Hope McIntyre, the Artistic Director of Femfest, who took a risk and invited me to come to Winnipeg, Canada, and be artist in residence for FemFest.
It was an honour.

“It was an absolute pleasure having Zena Edwards in Winnipeg for FemFest 2011. Our theme was ‘Staging Inspiration’ and she certainly inspiredaudiences and emerging artists who had the pleasure of coming into contact with her.

Over 100 students at the University of Winnipeg Department of Theatre and Film attended a lecture she presented on her work. The students were engaged throughout the lecture and found it valuable in relation to their future career paths. Hearing about Zena’s journey, they realized that there are other forms of artistic practice besides traditional theatre and
they also learned the importance of experiencing the world they live in. Zena also facilitated Continue reading “What Hope had to say – A review of my Artist-in-Residency for the FemFest, Canada, 2011”

I SPEAK FROM… a “lecture” by Zena Edwards for students of Winnipeg University – An hour of sharing the life and times of a writer performer.

Imagine being asked to speak for just 10, maybe 15 minutes about your life and how you came to be where you are today. There are two reactions to this request. Cold fear or hot excitement, both to the thought  of having the spotlight on you. In either case, respectively, you would speak too little, missing out the juicy bits you’d kick yourself later for not having said (could have made you sound a whole heap more interesting). Or  there’s speaking too much, starting from your first tooth falling out to the day you realized that mortgages are no fun. What do you leave out, or put in and why should people care anyway? Continue reading “I SPEAK FROM… a “lecture” by Zena Edwards for students of Winnipeg University – An hour of sharing the life and times of a writer performer.”

Travelling Light Goes to Canada

At present  I am sitting in a hotel room in downtown Winnipeg unable to sleep because of jet lag. Its 2.16am Canada time, 8.16am London time.
I am here because of FEMFEST – a festival of women playwrights and performers who battle hard to get their work produced because it is a very  masculine dominated industry. Dare I say it, but a bit shameful?

Later, I intend to interview Hope McIntyre who set about making this possibility, for this festival to have life of 9 years when others have folded. I am privileged to be here because Hope took a risk. She saw some of my work on YouTube, Like the Travelling Light blog had a short conversation with me on the phone and spent her hard won funding money to get me on a plane to be artist in residence for the festival. I’m honoured. More to come…

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