Zena E’s The Writery for Freeing Writers

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The Writery for Freeing Writers
For the past year or so I have been collating tips, techniques and quirky writing prompts to help stay inspired for my writing. When I think about what it means to be a free writer I refer to the writing exercise of free flow, some quality free association –. Imagination is valuable to us. It is crucial for a healthy mind. But sometimes it can get flabby as a muscle, can calcify because it is stuck in one motion of ‘thinking’ (?), Or it might need a prompt to encourage focus because of all the distractions the hectic-ness of life can bring. Sometime we just need little help to ‘free-up’ as creatives.
sparklerThe prompt, tips, tricks, quotes, images are designed to shine a spotlight in the creative creases of your grey matter, to be dowsing sticks that find that gem of an idea floating in the creative slip stream, to be Frankenstein’s life giving machine, a jolt the heart of the imagination into action.

Its become a healthy collection, so I decided to open up the archive  for those who feel they have a creative block at the moment, are a bit bored of their style and want to try something new, or if you just need a kick start. Have a browse and comments and requests are welcome!

The Writery for Freeing Writers

Shake! – Surviving the System

For the last 6 years I have been involved in Voices That Shake as a writer, poet, project developer and facilitator. Our next course is ‘#SurvivingTheSystem.’  Each time we do an intensive, I am invited to write a blog.

Why Surviving the System, Shake!?

So Shake is back!

artwork by Anni Movsisyan

artwork by Anni Movsisyan

We have been on hiatus for nearly 8 months and we’re back with a new Shake intensive course. #SurvivingTheSystem takes a birds eye view of the planet, zooms in and looks at the streets of everyday living and reflects on our lives as individuals. Examining the current and disturbing issues of our time, it seems we are in for a future of more difficulty after an already bleak few decades now. The political shift to the right in favour of big business and property development, with the marketing machine of mass media, many of us find ourselves numb, in shock, and emotionally, mentally and spiritually brutalized. When we look to the institutions and structures meant to be sources of security, we find them to be disrespectful and uncaring. Abusive.

We are coerced and forced to accept cuts to education and healthcare. Gentrification and immigration prejudice manifests as cultural cleansing and violence, post-Brexit which clumped migration, immigration inefficiency and refugee status’s into one dangerous xenophobic national security and economic risk. In the west, many young people who see themselves as the future working generations are looking at their parents and forbears asking “ What the hell were you thinking?” post Brexit. The sentiment is rooted in deep disappointment and mourning from the the violent severing from the opportunities of belonging to the European block.

Labour. Violence. Addiction
A person’s labour and livelihood is linked so closely to well being, and such deliberate scare-mongering is shock tactics to confuse, misinform, and in consequence heighten stress levels of every life where mistrust and frustration is a genuine societal problem. Continue reading

Verbalisation with BeatFreeks at BRep

imageBirmingham with Beatfreeks on Wednesday 27th July.

“How do you find your inspiration for your work?” is the most frequently asked question I get as a writer who performs her work. I can’t deny I am often stumped at the question. I trawl my brain for the one thing  but it just doesn’t work like that. I’m only sure of  a couple of things though – the world is full of inspiration and my gut and my heart have conversations all the time about the abstracts – love, conflict, relationships, frailty, resilience, environment, discrimination and power. Or that centrifugal spin of a coffee cup falling. That tense exchange through eye contact on busy  public transport. A door held open for an Elder. The truth out of the mouth of babes. Continue reading

Ekphrasis in Action – Seeing the Word.

 

imageLooking forward to running this session in a couple of weeks!

Engaging with art should be sensory experience, especially when an image is politically loaded. When we see politically charged images we often get lost in abstract ideas of justice, inequality or discrimination.  To be able to transfer a visual image loaded with cultural specificity, to the page in a written form that reflects the image, takes a visceral experience. We must be able  to have a moment with a painting, photo where the gut overrides our intellectual processes and poetry enables the viewer to see beyond the abstract.

I consider the poet at essence a social commentator who reframes and re-imagines the world. So, writing in response to controversial contemporary images, artworks and photo-journalism, participants will explore metaphor and codification in visual culture, interrogating mainstream media’s use of image and its role in narrative and culture creation as a consequence.

In collaboration with Apples and Snakes Poetry Organisation’s Power Plant program, Ekphrasis in Action masterclass: challenging metaphors  of 21st Century Visual Culture (blog), in collaboration wi Apples and Snakes Poetry Organisation’s Power Plant program, aims:

– to encourage participants to explore and examine how they observe, critic and put their ‘artist’s eye’ to work
– to ‘re-see’ and stimulate poetic flow that inspire new ways of re-imagining the world
– to enhance – subvert, reframe – the original art/image and so take on another life through brilliant description
– to generate creative writing that is reflective of the poets voice as a social commentator and writer of the century.

The session is for those with some writing experience and a keen interest in social justice and equality in media representation in all its forms.  Participants can expect a writing work-out while engaging in lively discussion about the world we live in today.

Participants are to bring a 1-2 images from mainstream media, and/or politically charged artwork (including graff art) and/or from photographic journalism.

When: Thursday 21 July, 6.30-9.30pm
Where: Blue Room, The Albany, Douglas Way, Deptford SE8 4AG

Tickets: Free. Book a place with Eventbrite

 

Mind Meandering #6 – Happy International Women’s Month

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Be your own bright dawn
and your own bronzing dusk
Love your own onyx shadow
and bunished ivory tusk
Be the steady hand that holds
the quaking other

Be the found one to the life you lost
Be the open door when hurt closed
the heart in your chest

Learn to love the very body that no-one else will trust

And by any means necessary, keep all your parts in synchronicity
Do what you must
Do what you must
Do what you must
Zena Edwards©image

Inspired by photoshoot by Kwaku Alston with Janelle Monet for Essence Magazine May 2013 Issue

Ekphrasis in Action – An Out-Spoken Masterclass

I have been attempting to vocationally reconcile my love for photography and painting, sketches and imagery with my love of poetic writing and and would be more fitting than to run a masterclass on Ekprhrasis. I’m also in the headspace that art has work to do and I want to see incorporate politically charged with art with writing. Hence, Ekphrasis in Action Poetry challenging metaphors of 21st century visual culture 2016.

The social climate renders pretty much everything political so exploring metaphor in contemporary social, political and cultural visual mediums, how do we as poets use imagery and storytelling to create moments of counter-culture and codify re-imagined culture in our language and poems?

Writing in response to controversial contemporary images, artworks and photo-journalism and through discussion, this session will unpack metaphor and codification in visual culture, interrogating mainstream media narrative in it images and culture creation. The aim is to generate creative writing that is reflective of the poets voice as a social commentator and writer of the century.

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(Ekphrasis: Greek:- Ek – Out. Phrasis – Speak. It is a rhetorical device in which one medium of art tries to relate to another medium by defining and describing its essence and form, and in doing so, relate more directly to the audience, through its illuminative liveliness. A descriptive work of prose or poetry, a film, or even a photograph may thus highlight through its rhetorical vividness what is happening, or what is shown in, say, any of the visual arts, and in doing so, may enhance – subvert, reframe – the original art and so take on a life of its own through its brilliant description.) Continue reading

Writing Two Poets – Mongiwekhaya & Afruakan

Recently, I was commissioned by the British Council to interview two poets from South Africa. What was interesting was learning two very different approaches the service of spoken word or poetry in performance can offer the artist and the people who encounter this rich literary form. Mongiwekhaya is a subdued, potent spirit. His quietly considered answers focus on his thoughts about arts and community engagement producing work that is esoteric in its political and social commentary. Thabiso aka Afruakan’s enegry is spark driven to build networks for repurposing and trading the craft for an arts infrastructure to support artists to continue their chosen vocation. Both were very spirited and inspiring skype conversations that ran well over the 30 minutes time we’d put into each of our diaries.

   Mongiwekhaya

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 “I was raised by my Grandmother from birth. I spoke with her words and her tongue and walked the streets of Witbank Township. But one day my parents returned from their travels overseas, collected me and took me up into a silver bird, and we, my sisters and I, were laid on a new earth. No one spoke my grandmother’s tongue. The child that spoke with any and everyone, found himself a ghost in a new place. He told himself little stories to remember himself. But eventually he told himself new stories. In English. And was reborn as someone new.”Mongiwekhaya

Playwright, filmmaker and Royal Court writer Mongi Mthobeni (pen name, Mongiwekhaya) is a hardwired storyteller and the above quote wasthe story he told at the opening question of his interview with Poet and Writer Zena Edwards, when did he know he had chosen his life and career in the performing arts. His natural gift manifests itself today through directing and visual storytelling and his short film project, “Speed of Dark”, reveals a mentoring quality to his creative process when he engages with young artists too.

“Speed of Dark’ is adapted from a dance piece called “Open Happiness”, embracing the wonder South Africans felt about the construction of South Africa’s Underground train – The ‘Gautrain’. I started by introducing the young movement artists to the prolific works of Tom Waits, rich with storytelling. Then introduced them to the theatrical form of the French Buffoon and clowning, the ritualistic shamanic performance of repetition to compound the feeling of awe South African’s felt in a time of economic transition.” Continue reading

Re-Imagining Arts in Action Program

Last August I was officially jettisoned into the world of community engagement through the arts. I’d already done worked on a project called End of the Rainbow with All Change and Nitro working with families trapped in a refugee loop hole of “no status” where they are not eligible to claim benefit but also not able to work because they do not have legal status.

I also worked with English PEN with a refugee organisation in Oxford on a project touring a publication called Syria Speaks – a collection of stories, poems and illustration in translation as creative responses to the plight of civilians in intensifying Syrian conflict.

Reimagining Arts in Action Program was devised on the work ethic of Theaster Gates because the potency of his work ethic has delivered
After making a successful application to the Arts Council England for the Artist International Development Fund, I prepped myself for what was ahead. I knew this was going to be turning point for me as my desire to explore the expansive of ideas for how arts can serve would be channeled.
While there, my mission reposition me as a community engagement artist.

My intention was to *learn* about the work, documenting the process in what I call a docu-poem. I ended up doing the work. No complaints.

Click on the image to go to the RAAP blog post.

69th and Dorchester

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Dorchester’s Cats

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Poem – Prequel. Meet the interns

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Jet Lagged

Eric Metal Man.

Eric- built for Cirque de Soleil, is now Theaster’s Metal Man

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Play Streets – Community engagement through play

Meeting the residents of Dorchester

Meeting the residents of Dorchester

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General Exquisite Exchange Economy – Trade without money

Meet Chris - Steward for 69th and Dorchester

Meet Chris – Steward for 69th and Dorchester

Go to the Re-imagining Arts in Action Program blog.

LLSB – Long Live Southbank

If you’ve heard about the Long Live Southbank campaign, then you’ll know it was 180,000 members and signatories pushing back against the Southbank Centre, a national arts venue, trying to take over a nation treasure to build coffee shops and schmancy restaurants.  When I heard about the campaign I got it. As a poet, I got it. The is a true David and Goliath tale of ordinary folk who took on an institution and won. It was a story of a provocation and a resistance movement that last a eventful 17 months.

The Southbank building is an architectural bastion, along the river bank of the Thames is a sight to be hold and is a bastion for music and arts int he UK. It had plans to take over the Undercroft, for over 40 years home to millions of skateboarders, break dancers and poppers graffiti artists, filmmakers, photographers  of all generations who took owner of a space explicitly made for the public as an experiment in the 60’s to see what would happen left to the organic nature of creativity.

image LLSB poem image image image image image

What I came to viscerally comprehend is that this ‘space’ was  destined for generations of freethinking minds exploding with motion and acrobatic innovation. What they do is a science. Skaters only have to look at the layout, the geometrics of a space and in milliseconds calculate the velocity, curve, swerve  and execution of their net trick. How much is deduced by instinct, body memory and a subconscious perception of space by what I can only call a chi energy. Also, it’s not a trick. Its calligraphy on concrete. It’s ephemeral architecture in space. It is timing marked by a musicality in rhythm and movement. It’s about defying gravity and what a skater aka artist says whilst suspended in space. It’s about the love relationship between the heart of a skater, their board and their body in the urbanized landscape.

Space is prey, it’s seredipitous discoveries, found, claimed, converted, transformed, named, given another reason for existing other than the functionality of expressing consumerist ‘progress’. Storytelling takes into account the space it is being made in. It shape shifts to retain and emanate its essence.

The skateboard community received international support. And after 18 months of legal wranglings with the directors of the Southbank, a  brilliant social media campaign, and a scathing but just sense of humor, the campaign was a success.

I was more than happy for them because there has to come a point where demanding headspace to imagine through movement on a board and some ball-bearings historically mimicking the surfing the waves of an expansive ocean with its broad beach pulling up the speediest of waves, I can only imagine  the spirit that needs to exercise its freedom of  expressive movement across distances  in the open air. the  I see how the spaces they occupy are created, needed and in the light of this campaign, even more why they need to be protected.

Finally Surfing On Land:Skateboard history, California

Long Live South Bank Poem

Rollin’ through the decades Rollin’ Through the Decades is a feature length documentary that celebrates skateboarding’s journey from London’s South Bank underneath the Queen Elizabeth Hall, spiritual home of skateboarding since the early seventies.

Long Live Southbank Book