Shake! – Surviving the System

For the last 6 years I have been involved in Voices That Shake as a writer, poet, project developer and facilitator. Our next course is ‘#SurvivingTheSystem.’  Each time we do an intensive, I am invited to write a blog.

Why Surviving the System, Shake!?

So Shake is back!

artwork by Anni Movsisyan
artwork by Anni Movsisyan

We have been on hiatus for nearly 8 months and we’re back with a new Shake intensive course. #SurvivingTheSystem takes a birds eye view of the planet, zooms in and looks at the streets of everyday living and reflects on our lives as individuals. Examining the current and disturbing issues of our time, it seems we are in for a future of more difficulty after an already bleak few decades now. The political shift to the right in favour of big business and property development, with the marketing machine of mass media, many of us find ourselves numb, in shock, and emotionally, mentally and spiritually brutalized. When we look to the institutions and structures meant to be sources of security, we find them to be disrespectful and uncaring. Abusive.

We are coerced and forced to accept cuts to education and healthcare. Gentrification and immigration prejudice manifests as cultural cleansing and violence, post-Brexit which clumped migration, immigration inefficiency and refugee status’s into one dangerous xenophobic national security and economic risk. In the west, many young people who see themselves as the future working generations are looking at their parents and forbears asking “ What the hell were you thinking?” post Brexit. The sentiment is rooted in deep disappointment and mourning from the the violent severing from the opportunities of belonging to the European block.

Labour. Violence. Addiction
A person’s labour and livelihood is linked so closely to well being, and such deliberate scare-mongering is shock tactics to confuse, misinform, and in consequence heighten stress levels of every life where mistrust and frustration is a genuine societal problem. Continue reading “Shake! – Surviving the System”

Voices That Shake goes to the Allied Media Conference 2016!

Shake!: What began as a small pilot project has now become a movement of over 100 young people artists, campaigners, activists and community organisers.

Since 2010, the Voices That Shake  Youth Arts and Activism Project has been on a incredible journey raising awareness around the true democratizing of power, community rebuilding, well-being and healing justice, creating safe spaces for young socially conscious creativity, and art as a medium for dialogue. The trajectory has brought them to the brilliant point of being the first ever UK delegates to attend the Allied Media Conference (AMC) in Detroit this week.

We only have a few hours, though to make a pitch to you for a little bit of your help.
Please watch this video (mainly because it better hearing about the value of this visit from the young people themselves) and see where your generosity will be a part of helping 8 young people learn new skills in community organising, as well as sharing their knowledge of arts activist work in the UK.

Thank you for your time and Big Thanks for your support
Zena

Ps: #EveryLittleHelps

Mind-meanderings #4 – Bulldozing Art

I am sharing this Facebook post from a choreographer, artist and brilliant thinker friend from Nigeria. It was the passion behind his words that pulled me to do a quick google search about this New Artists Village space he speaks of. I understand why his fury flames.

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FYI – http://www.bellanaija.com/2016/01/artists-protest-as-government-demolishes-artists-village-at-national-arts-theatre/

“On Saturday, the Artists’ Village at the National Arts Theatre was demolished based on orders from the Director of the National Arts Theatre.

The government’s position is that the Village had become a hive for illegal and illicit activities. The artists on the other side dispute that accusation and claim the government has less than pure motives for their actions including possible commercial use of the space versus the current free art space.”

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Collectives of artists create homes that become their sanctuaries, their laboratories, sacred spaces of communing and creating, hubs for innovative and dextrous think-tanking for new worlds through art, pathways of resistance and artistsic bootcamps to decolonise of minds and heal societies are conjured in those homes. The bricks and mortar of these homes hoard memories and songs for the future. They can be gentles spaces. Spaces for fury and tough love when they hold up mirrors to those who oppress the already oppressed in the name of free thought, freedom of expression. Artists are not (and/or should not be) afraid to chastise and be chastised if the integrity of their work has dubiously become a manipulative tool for oppressive, repressive or stagnating status quos. It is rigorous critique that keeps things fresh: let’s keeps it moving. But ultimately, spaces found and nurtured by artists are formidable in their power to inspire and it is those powerful fountain well-springs of inspiration that frighten the status quo.

Continue reading “Mind-meanderings #4 – Bulldozing Art”

Perception, Power and Race in UK Arts

“MINDING THE PERCEPTION GAP”
– a 9 part video critique and commentary of UK arts and its issues of ‘diversity’ – Case study Exhibit B

 exhobit b posterI have never embarked on a homespun project like this before. Filmed in my front room over a week with shifting light. As the week went on I became a little obsessed with the content.  I had been frustrated and concerned about  the hiccups in  my artistic vocational trajectory and what my next moves were as an artist in the UK for a while. I felt I had been moving laterally for a few too many years. In fact, in the draft box of my wordpress account I had an edit of a blog post called “Race in the Arts” started in 2012  attempting to articulate my troubled sentiments on being an artist of colour in the UK. Then in 2014 came ‘Exhibit B’ and the #BoycottTheHumanZoo campaign. What I had needed was an aggressive catalyst and the events unfolding around the campaign were certainly that.
(If you don’t know the art installation Exhibit b, take a look at the Video 2, Part 2 – The Set Up below). Continue reading “Perception, Power and Race in UK Arts”

Re-Imagining Arts in Action Program

Last August I was officially jettisoned into the world of community engagement through the arts. I’d already done worked on a project called End of the Rainbow with All Change and Nitro working with families trapped in a refugee loop hole of “no status” where they are not eligible to claim benefit but also not able to work because they do not have legal status.

I also worked with English PEN with a refugee organisation in Oxford on a project touring a publication called Syria Speaks – a collection of stories, poems and illustration in translation as creative responses to the plight of civilians in intensifying Syrian conflict.

Reimagining Arts in Action Program was devised on the work ethic of Theaster Gates because the potency of his work ethic has delivered
After making a successful application to the Arts Council England for the Artist International Development Fund, I prepped myself for what was ahead. I knew this was going to be turning point for me as my desire to explore the expansive of ideas for how arts can serve would be channeled.
While there, my mission reposition me as a community engagement artist.

My intention was to *learn* about the work, documenting the process in what I call a docu-poem. I ended up doing the work. No complaints.

Click on the image to go to the RAAP blog post.

69th and Dorchester
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Dorchester’s Cats
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Poem – Prequel. Meet the interns
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Jet Lagged
Eric Metal Man.
Eric- built for Cirque de Soleil, is now Theaster’s Metal Man
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Play Streets – Community engagement through play
Meeting the residents of Dorchester
Meeting the residents of Dorchester
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General Exquisite Exchange Economy – Trade without money
Meet Chris - Steward for 69th and Dorchester
Meet Chris – Steward for 69th and Dorchester

Go to the Re-imagining Arts in Action Program blog.

LLSB – Long Live Southbank

If you’ve heard about the Long Live Southbank campaign, then you’ll know it was 180,000 members and signatories pushing back against the Southbank Centre, a national arts venue, trying to take over a nation treasure to build coffee shops and schmancy restaurants.  When I heard about the campaign I got it. As a poet, I got it. The is a true David and Goliath tale of ordinary folk who took on an institution and won. It was a story of a provocation and a resistance movement that last a eventful 17 months.

The Southbank building is an architectural bastion, along the river bank of the Thames is a sight to be hold and is a bastion for music and arts int he UK. It had plans to take over the Undercroft, for over 40 years home to millions of skateboarders, break dancers and poppers graffiti artists, filmmakers, photographers  of all generations who took owner of a space explicitly made for the public as an experiment in the 60’s to see what would happen left to the organic nature of creativity.

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Buy The Book Here

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What I came to viscerally comprehend is that this ‘space’ was  destined for generations of freethinking minds exploding with motion and acrobatic innovation. What they do is a science. Skaters only have to look at the layout, the geometrics of a space and in milliseconds calculate the velocity, curve, swerve  and execution of their net trick. How much is deduced by instinct, body memory and a subconscious perception of space by what I can only call a chi energy. Also, it’s not a trick. Its calligraphy on concrete. It’s ephemeral architecture in space. It is timing marked by a musicality in rhythm and movement. It’s about defying gravity and what a skater aka artist says whilst suspended in space. It’s about the love relationship between the heart of a skater, their board and their body in the urbanized landscape.

Space is prey, it’s seredipitous discoveries, found, claimed, converted, transformed, named, given another reason for existing other than the functionality of expressing consumerist ‘progress’. Storytelling takes into account the space it is being made in. It shape shifts to retain and emanate its essence.

The skateboard community received international support. And after 18 months of legal wranglings with the directors of the Southbank, a  brilliant social media campaign, and a scathing but just sense of humor, the campaign was a success.

I was more than happy for them because there has to come a point where demanding headspace to imagine through movement on a board and some ball-bearings historically mimicking the surfing the waves of an expansive ocean with its broad beach pulling up the speediest of waves, I can only imagine  the spirit that needs to exercise its freedom of  expressive movement across distances  in the open air. the  I see how the spaces they occupy are created, needed and in the light of this campaign, even more why they need to be protected.

Finally Surfing On Land:Skateboard history, California

Long Live South Bank Poem

Rollin’ through the decades Rollin’ Through the Decades is a feature length documentary that celebrates skateboarding’s journey from London’s South Bank underneath the Queen Elizabeth Hall, spiritual home of skateboarding since the early seventies.

Long Live Southbank Book

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