For the last 6 years I have been involved in Voices That Shake as a writer, poet, project developer and facilitator. Our next course is ‘#SurvivingTheSystem.’Each time we do an intensive, I am invited to write a blog.
Why Surviving the System, Shake!?
So Shake is back!
We have been on hiatus for nearly 8 months and we’re back with a new Shake intensive course. #SurvivingTheSystemtakes a birds eye view of the planet, zooms in and looks at the streets of everyday living and reflects on our lives as individuals. Examining the current and disturbing issues of our time, it seems we are in for a future of more difficulty after an already bleak few decades now. The political shift to the right in favour of big business and property development, with the marketing machine of mass media, many of us find ourselves numb, in shock, and emotionally, mentally and spiritually brutalized. When we look to the institutions and structures meant to be sources of security, we find them to be disrespectful and uncaring. Abusive.
We are coerced and forced to accept cuts to education and healthcare.Gentrificationandimmigration prejudicemanifests as cultural cleansing and violence, post-Brexitwhich clumped migration, immigration inefficiency and refugee status’s into one dangerous xenophobic national security and economic risk. In the west, many young people who see themselves as the future working generations are looking at their parents and forbears asking “ What the hell were you thinking?” post Brexit. The sentiment is rooted in deep disappointment and mourning from the the violent severing from the opportunities of belonging to the European block.
Looking forward to running this session in a couple of weeks!
Engaging with art should be sensory experience, especially when an image is politically loaded. When we see politically charged images we often get lost in abstract ideas of justice, inequality or discrimination. To be able to transfer a visual image loaded with cultural specificity, to the page in a written form that reflects the image, takes a visceral experience. We must be able to have a moment with a painting, photo where the gut overrides our intellectual processes and poetry enables the viewer to see beyond the abstract.
I consider the poet at essence a social commentator who reframes and re-imagines the world. So, writing in response to controversial contemporary images, artworks and photo-journalism, participants will explore metaphor and codification in visual culture, interrogating mainstream media’s use of image and its role in narrative and culture creation as a consequence. Continue reading “Ekphrasis in Action – Seeing the Word.”→
Shake!: What began as a small pilot project has now become a movement of over 100 young people artists, campaigners, activists and community organisers.
Since 2010, the Voices That Shake Youth Arts and Activism Project has been on a incredible journey raising awareness around the true democratizing of power, community rebuilding, well-being and healing justice, creating safe spaces for young socially conscious creativity, and art as a medium for dialogue. The trajectory has brought them to the brilliant point of being the first ever UK delegates to attend the Allied Media Conference (AMC) in Detroit this week.
We only have a few hours, though to make a pitch to you for a little bit of your help.
Please watch this video (mainly because it better hearing about the value of this visit from the young people themselves) and see where your generosity will be a part of helping 8 young people learn new skills in community organising, as well as sharing their knowledge of arts activist work in the UK.
Thank you for your time and Big Thanks for your support
I am sharing this Facebook post from a choreographer, artist and brilliant thinker friend from Nigeria. It was the passion behind his words that pulled me to do a quick google search about this New Artists Village space he speaks of. I understand why his fury flames.
“On Saturday, the Artists’ Village at the National Arts Theatre was demolished based on orders from the Director of the National Arts Theatre.
The government’s position is that the Village had become a hive for illegal and illicit activities. The artists on the other side dispute that accusation and claim the government has less than pure motives for their actions including possible commercial use of the space versus the current free art space.”
Collectives of artists create homes that become their sanctuaries, their laboratories, sacred spaces of communing and creating, hubs for innovative and dextrous think-tanking for new worlds through art, pathways of resistance and artistsic bootcamps to decolonise of minds and heal societies are conjured in those homes. The bricks and mortar of these homes hoard memories and songs for the future. They can be gentles spaces. Spaces for fury and tough love when they hold up mirrors to those who oppress the already oppressed in the name of free thought, freedom of expression. Artists are not (and/or should not be) afraid to chastise and be chastised if the integrity of their work has dubiously become a manipulative tool for oppressive, repressive or stagnating status quos. It is rigorous critique that keeps things fresh: let’s keeps it moving. But ultimately, spaces found and nurtured by artists are formidable in their power to inspire and it is those powerful fountain well-springs of inspiration that frighten the status quo.
I have been attempting to vocationally reconcile my love for photography and painting, sketches and imagery with my love of poetic writing and and would be more fitting than to run a masterclass on Ekprhrasis. I’m also in the headspace that art has work to do and I want to see incorporate politically charged with art with writing. Hence, Ekphrasis in Action Poetry challenging metaphors of 21st century visual culture 2016.
The social climate renders pretty much everything political so exploring metaphor in contemporary social, political and cultural visual mediums, how do we as poets use imagery and storytelling to create moments of counter-culture and codify re-imagined culture in our language and poems?
Writing in response to controversial contemporary images, artworks and photo-journalism and through discussion, this session will unpack metaphor and codification in visual culture, interrogating mainstream media narrative in it images and culture creation. The aim is to generate creative writing that is reflective of the poets voice as a social commentator and writer of the century.
(Ekphrasis: Greek:- Ek – Out. Phrasis – Speak. It is a rhetorical device in which one medium of art tries to relate to another medium by defining and describing its essence and form, and in doing so, relate more directly to the audience, through its illuminative liveliness. A descriptive work of prose or poetry, a film, or even a photograph may thus highlight through its rhetorical vividness what is happening, or what is shown in, say, any of the visual arts, and in doing so, may enhance – subvert, reframe – the original art and so take on a life of its own through its brilliant description.) Continue reading “Ekphrasis in Action – An Out-Spoken Masterclass”→
“MINDING THE PERCEPTION GAP”
– a 9 part video critique and commentary of UK arts and its issues of ‘diversity’ – Case study Exhibit B
I have never embarked on a homespun project like this before. Filmed in my front room over a week with shifting light. As the week went on I became a little obsessed with the content. I had been frustrated and concerned about the hiccups in my artistic vocational trajectory and what my next moves were as an artist in the UK for a while. I felt I had been moving laterally for a few too many years. In fact, in the draft box of my wordpress account I had an edit of a blog post called “Race in the Arts” started in 2012 attempting to articulate my troubled sentiments on being an artist of colour in the UK. Then in 2014 came ‘Exhibit B’ and the #BoycottTheHumanZoo campaign. What I had needed was an aggressive catalyst and the events unfolding around the campaign were certainly that.
(If you don’t know the art installation Exhibit b, take a look at the Video 2, Part 2 – The Set Up below). Continue reading “Perception, Power and Race in UK Arts”→
What does it mean to be an Artist of colour, an artist on African descent in the UK?
Late 2014, I wrote a blog post in response to the South African theatre-maker Brett Bailey at the height of the UK controversy over his piece, ‘Exhibit B’.
A year later, wanting so much to create something around how black and brown artists are censored in many spaces and at many levels in the process of a piece’s inception to its full production, I made an explorative film about the discrepancies and damage being done to the arts in programming an artist like this.
‘Diversity’ and representation are just the tip of the iceberg in the ongoing and stuttering discourse about race and the arts in the UK.
Writer, performance artist, project developer and educator Zena Edwards scratches below the surface to speak about *perception* and its role in the “diversity” conversation in UK arts.
Full video exploration – Wednesday 18th November 2015
Thank you all for the phone calls, notes, emails, tweets and Facebook message of support we have received regarding the racial abuse we were subject to on Monday 25th May, 2015.
On what was supposed to be our break on a Bank Holiday, it was with great shock and much sadness that we were called to work to see a disgusting piece of graffiti scrawled upon our very own walls. It was a disappointment to us to realise that someone could go out of their way to be so disrespectful and to have the gall to express such prejudice in public. There is no place in this community for such prejudice whether race, religion, sexuality…. NONE! London is such a cosmopolitan city, which makes it so special.
What we know and stand by is, that the culprit(s) actions do not represent the general feeling of the Herne Hill community.
We have received so much support from so many that we really and truly feel inspired and hopeful in a situation which frankly left us bewildered, violated and down-heartened. On the very day it happened, we had one very kind neighbour lend us some sheets to cover the obscene language, and since then a stream of well wishers checking that we were OK. We have been inundated with encouraging messages to focus on the good that we are doing, rather than the negativity of the incident. We appreciate your continued support.
To thank you all for your support, we have an open bar on Thursday, 4th June from 1800-2000 – we are putting on some entertainment by inviting the hosts of our comedy and poetry night, to put on an event of fun and laughter.
We look forward to seeing you and THANK YOU again for all your support.
The Dee Dee’s Team”
The above letter is from the owner of a Bar in a well-to-do area of London called Herne Hill. For mainstream media the racist intent of this attack has disappeared down the ‘blackhole’ of invisibility and erasure as most outcries and reports of racism do. Remember, it took almost 20 years for Doreen Lawrence to receive some sort of Justice for the racist murder of her son Stephen Lawrence. And all too often when racism is called out, those on the receiving end ie. the Black and Brown folk, are challenged for calling ‘the race card’ or ‘reverse racism’. This blog post is not the time to go into the depths of this distorted perception and psychology of what racism actually is as, right now, I want to speak about how this bar is symbolic of a complex set of issues that require a level-headedness almost devoid of emotion. Yet to the contrary, this attack seems to be all about rousing angry emotions. Dee Dee’s team have remained dignified and have moved with integrity every step of the way to reach a conclusion in favour of justice and equality.
I did not know of Dee Dee’s until I saw a Brixton Buzz article online about the racist graffiti. I went down there because a friend was performing with her band and to show some solidarity at the same time. When I heard what had happened and a few of the events leading up the graffiti appearing, I was appalled (and hurt for them) and came back the next day to talk to the manager and owner to (maybe) get a few words, documenting yet another incident of racism in a “post” racist UK. They gave me an extended 2 hour interview I thought might last just 30 minutes. And I’m grateful for that, as they had been talking to no press because of other complications around the investigation, trapping them under the threat of “incitement of racial hatred”, the police have told them. I shall explain in later blog. It’s incredulous. So they didn’t have to trust me. I’m a stranger, rocking up with a camera and a recording device.
Since, I have come to appreciate the Love people have for this space and as an artist, I understand the value of space. Gentrification is killing spots like Dee Dee’s. Let that be duly noted. But this is overt and aggressive prejudice. This event adds another sinister edge development programs are not considering. But they should.
There is no obscuring the nastiness of this appalling display of bigotry, not even behind the black paint that now covers it. However, despite this, the media managed to find an angle to deflect attention away from the harm and damage done to a people and their property that did not deserve it, shifting the focus to an initial possible suspect, the police say they are no longer investigating and who I will not give any more air time. Click here to read more. The owner of Dee Dee’s has expressed great concern for his staff – will this happen again? Will it be a physical act upon one of his staff as opposed to property, if there is a next time?. Something does not sit right.
There are conversations on social media you can follow here, also here, and here, about the investigation and the statement by the initial possible suspect in general – police are not pursuing the culprit, an obvious hot lead has not been investigated, Why did a local school headmistress say that the graffiti was a photoshopped fabrication? There are so many unanswered questions I will go into on a later post.
But right now, with an indomitable spirit, Dee Dee’s are opened for business as usual and on Thursday 4th June made a special event of performance and a 2 hour open bar to thank all their supporters. I went. It was heartwarming to see locals and some who hadn’t been before relaxing, enjoying the vibe and speaking out against racism.
Nuff Respect Dee Dee’s. More Power to you.
Listen to testimonials from those who came to support on the day.
Song: ‘She’ written and performed by Sian Roseanna Facebook & Twitter: Sianroseanna
Here we go again
Here we go again having to justify our existence
Here you go again with your colonial irrelevance
White spray on black walls
As if we our skin was still
a canvas upon which to paint your hate
But you underestimate the power we create
with words, with song
And Laughter, a joyful throng
Come together with Love for Unity
that rights a wrong
In the balance of karma
And in the light of knowing
the darkness in which your hate dwells
I wish you well, because as Marley says,
‘Oh, Time alone, Time will tell,
you think you’re in heaven
But you’re living in Hell.”
If you’ve heard about the Long Live Southbank campaign, then you’ll know it was 180,000 members and signatories pushing back against the Southbank Centre, a national arts venue, trying to take over a nation treasure to build coffee shops and schmancy restaurants. When I heard about the campaign I got it. As a poet, I got it. The is a true David and Goliath tale of ordinary folk who took on an institution and won. It was a story of a provocation and a resistance movement that last a eventful 17 months.
The Southbank building is an architectural bastion, along the river bank of the Thames is a sight to be hold and is a bastion for music and arts int he UK. It had plans to take over the Undercroft, for over 40 years home to millions of skateboarders, break dancers and poppers graffiti artists, filmmakers, photographers of all generations who took owner of a space explicitly made for the public as an experiment in the 60’s to see what would happen left to the organic nature of creativity.
What I came to viscerally comprehend is that this ‘space’ was destined for generations of freethinking minds exploding with motion and acrobatic innovation. What they do is a science. Skaters only have to look at the layout, the geometrics of a space and in milliseconds calculate the velocity, curve, swerve and execution of their net trick. How much is deduced by instinct, body memory and a subconscious perception of space by what I can only call a chi energy. Also, it’s not a trick. Its calligraphy on concrete. It’s ephemeral architecture in space. It is timing marked by a musicality in rhythm and movement. It’s about defying gravity and what a skater aka artist says whilst suspended in space. It’s about the love relationship between the heart of a skater, their board and their body in the urbanized landscape.
Space is prey, it’s seredipitous discoveries, found, claimed, converted, transformed, named, given another reason for existing other than the functionality of expressing consumerist ‘progress’. Storytelling takes into account the space it is being made in. It shape shifts to retain and emanate its essence.
The skateboard community received international support. And after 18 months of legal wranglings with the directors of the Southbank, a brilliant social media campaign, and a scathing but just sense of humor, the campaign was a success.
I was more than happy for them because there has to come a point where demanding headspace to imagine through movement on a board and some ball-bearings historically mimicking the surfing the waves of an expansive ocean with its broad beach pulling up the speediest of waves, I can only imagine the spirit that needs to exercise its freedom of expressive movement across distances in the open air. the I see how the spaces they occupy are created, needed and in the light of this campaign, even more why they need to be protected.
Finally Surfing On Land:Skateboard history, California
Long Live South Bank Poem
Rollin’ through the decadesRollin’ Through the Decades is a feature length documentary that celebrates skateboarding’s journey from London’s South Bank underneath the Queen Elizabeth Hall, spiritual home of skateboarding since the early seventies.