I am sharing this Facebook post from a choreographer, artist and brilliant thinker friend from Nigeria. It was the passion behind his words that pulled me to do a quick google search about this New Artists Village space he speaks of. I understand why his fury flames.
“On Saturday, the Artists’ Village at the National Arts Theatre was demolished based on orders from the Director of the National Arts Theatre.
The government’s position is that the Village had become a hive for illegal and illicit activities. The artists on the other side dispute that accusation and claim the government has less than pure motives for their actions including possible commercial use of the space versus the current free art space.”
Collectives of artists create homes that become their sanctuaries, their laboratories, sacred spaces of communing and creating, hubs for innovative and dextrous think-tanking for new worlds through art, pathways of resistance and artistsic bootcamps to decolonise of minds and heal societies are conjured in those homes. The bricks and mortar of these homes hoard memories and songs for the future. They can be gentles spaces. Spaces for fury and tough love when they hold up mirrors to those who oppress the already oppressed in the name of free thought, freedom of expression. Artists are not (and/or should not be) afraid to chastise and be chastised if the integrity of their work has dubiously become a manipulative tool for oppressive, repressive or stagnating status quos. It is rigorous critique that keeps things fresh: let’s keeps it moving. But ultimately, spaces found and nurtured by artists are formidable in their power to inspire and it is those powerful fountain well-springs of inspiration that frighten the status quo.
I have been attempting to vocationally reconcile my love for photography and painting, sketches and imagery with my love of poetic writing and and would be more fitting than to run a masterclass on Ekprhrasis. I’m also in the headspace that art has work to do and I want to see incorporate politically charged with art with writing. Hence, Ekphrasis in Action Poetry challenging metaphors of 21st century visual culture 2016.
The social climate renders pretty much everything political so exploring metaphor in contemporary social, political and cultural visual mediums, how do we as poets use imagery and storytelling to create moments of counter-culture and codify re-imagined culture in our language and poems?
Writing in response to controversial contemporary images, artworks and photo-journalism and through discussion, this session will unpack metaphor and codification in visual culture, interrogating mainstream media narrative in it images and culture creation. The aim is to generate creative writing that is reflective of the poets voice as a social commentator and writer of the century.
(Ekphrasis: Greek:- Ek – Out. Phrasis – Speak. It is a rhetorical device in which one medium of art tries to relate to another medium by defining and describing its essence and form, and in doing so, relate more directly to the audience, through its illuminative liveliness. A descriptive work of prose or poetry, a film, or even a photograph may thus highlight through its rhetorical vividness what is happening, or what is shown in, say, any of the visual arts, and in doing so, may enhance – subvert, reframe – the original art and so take on a life of its own through its brilliant description.) Continue reading →
On 25th March 1981, 25,000(!) people of African descent from all over the UK marched through the streets of London (imagine this) on Black Liberation Day as a staggering response to the deaths of 13 young people in who attended a birthday party in New Cross today in 1981.