If you’ve heard about the Long Live Southbank campaign, then you’ll know it was 180,000 members and signatories pushing back against the Southbank Centre, a national arts venue, trying to take over a nation treasure to build coffee shops and schmancy restaurants. When I heard about the campaign I got it. As a poet, I got it. The is a true David and Goliath tale of ordinary folk who took on an institution and won. It was a story of a provocation and a resistance movement that last a eventful 17 months.
The Southbank building is an architectural bastion, along the river bank of the Thames is a sight to be hold and is a bastion for music and arts int he UK. It had plans to take over the Undercroft, for over 40 years home to millions of skateboarders, break dancers and poppers graffiti artists, filmmakers, photographers of all generations who took owner of a space explicitly made for the public as an experiment in the 60’s to see what would happen left to the organic nature of creativity.
What I came to viscerally comprehend is that this ‘space’ was destined for generations of freethinking minds exploding with motion and acrobatic innovation. What they do is a science. Skaters only have to look at the layout, the geometrics of a space and in milliseconds calculate the velocity, curve, swerve and execution of their net trick. How much is deduced by instinct, body memory and a subconscious perception of space by what I can only call a chi energy. Also, it’s not a trick. Its calligraphy on concrete. It’s ephemeral architecture in space. It is timing marked by a musicality in rhythm and movement. It’s about defying gravity and what a skater aka artist says whilst suspended in space. It’s about the love relationship between the heart of a skater, their board and their body in the urbanized landscape.
Space is prey, it’s seredipitous discoveries, found, claimed, converted, transformed, named, given another reason for existing other than the functionality of expressing consumerist ‘progress’. Storytelling takes into account the space it is being made in. It shape shifts to retain and emanate its essence.
The skateboard community received international support. And after 18 months of legal wranglings with the directors of the Southbank, a brilliant social media campaign, and a scathing but just sense of humor, the campaign was a success.
I was more than happy for them because there has to come a point where demanding headspace to imagine through movement on a board and some ball-bearings historically mimicking the surfing the waves of an expansive ocean with its broad beach pulling up the speediest of waves, I can only imagine the spirit that needs to exercise its freedom of expressive movement across distances in the open air. the I see how the spaces they occupy are created, needed and in the light of this campaign, even more why they need to be protected.
Finally Surfing On Land:Skateboard history, California
Long Live South Bank Poem
Rollin’ through the decades Rollin’ Through the Decades is a feature length documentary that celebrates skateboarding’s journey from London’s South Bank underneath the Queen Elizabeth Hall, spiritual home of skateboarding since the early seventies.